Beirut 2050

Fiction short story, 2016 
Digital collage, 2016




The story unfolds in the wake of a scientific discovery revealing that plastic waste has begun to fossilize into a new geological substance. First identified on Kamilo Beach in Hawaii, this hybrid material—plastiglomerate—is formed through the fusion of melted plastic, organic matter, and stone. Born from beach bonfires and acts of attempted erasure, these hardened masses expose a disturbing paradox: plastic, when burned, does not disappear but mutates into an even more durable form.




plastiglomerates, digital manipulation of found image of plastic stone fossils, 2016



As these synthetic stones are buried within the Earth’s strata, they become future fossils—indestructible remnants of human consumption. In Beirut, 2050, plastiglomerates surface as markers of a planet reshaped by waste, signaling the irreversible entanglement of human activity with geological time. Neither fully natural nor entirely artificial, these stones stand as enduring witnesses to the Anthropocene: a world where the residues of capitalism, toxicity, and neglect have outlived the civilizations that produced them.





Elements for a World: STONE, ed. Ashkan Sepahvand. 
Beirut: Sursock Museum Publication, 2016.
Website screenshot of Guangdong Times Museum's online publication. Translated in Mandarin.
design by gggggeorgge